Thursday, December 1, 2011

My Proposal Rewrite: Part II

This is all taking on a different structure. I had intended to frame methodology or at least literature in greater context. The latter I have done to some extent, but not enough for the purposes of my thesis or proposal. In a certain way, I'm just writing. I am framing this writing in terms of my thesis, but how that works will remain ambiguous.

Notice that my footnote becomes, effectively, an endnote.

...

How can I make sense of this project? From where does it come? First, it is based on an assumption that a community knows best what it needs. Experts, many planners, and abundant economists would disagree with this statement. International development efforts have been and continue to predominantly be decided from outside. During my undergraduate education, a professor of mine—Dr. Deane Curtin—liked to share this story:

United Nations representatives went to a small village. They looked around and saw how the women were cutting trees and brush for cook fires. This was degrading the environment and allowing for soil runoff. The men from the UN said to each other, “These women need solar ovens, then they won't cut down the trees.” They then went back to the UN and petitioned for money, bought the solar ovens, and returned to the village. They showed the women the ovens, how they worked, and explained how it would save them time and resources. The women of the village inspected the ovens for a few minutes, then walked off. One of the UN representatives asked one of the women why they weren't going to use the ovens. She said, “We cook at night. We're too busy during the day.”

When “experts” proposed a strategy for improving their lives, they did not listen first. The same professor liked to share another story:

Students and I were traveling in India and we visited a village. The women were raising money to buy bicycles. The women explained how much they traveled from one village to another. Bicycles would free up some of that time. The next year, we went back just after the bikes arrived. These women in long saris were trying to hop on their bicycles as they raced down a hill because no one knew how to ride a bicycle. With the women's permission, the students jumped in, placed the bikes on flat ground, and gave two or three of the women lessons on riding a bicycle as they held the bikes steady. Those women then taught the others until all the women began to cycle on their own.

These stories provide two different narratives of development. As we transform—or transition—our communities toward sustainability, we can choose which narrative serves us. Will we listen to economists, politicians, engineers, and other “experts” or will we listen to our own community, requesting help on our own terms?

I have another story to share. Food justice scholar and activist Dr. Robert Gottlieb spoke at my school Northern Arizona University in the Spring of 2010. He had many exciting and enthusing stories of community gardens, local markets, farm-to-school programs, and other sites of just community development around food. I asked him something like, “Given that each of these projects is place-based and comes out of a particular habitat and cultural location, what—if anything—can we in Flagstaff learn from them?” Robert Gottlieb did not have an immediate response and after the conversation, Dr. Patrick Pynes approached me. He said, “I liked your question. You were asking, in a way, if these stories are useful for us here in high altitude American Southwest.” For those who do not know Patrick Pynes, his focus is on Southwest food systems and culture.

I left that meeting more critical of the utility of Robert Gottlieb's project than I know am. What I have learned is that these community enterprises—explored in detail in Food Justice, which he co-authored with Anupama Joshi—are important for others to hear. They do not provide models. What they provide are stories that inspire us, that we hear and can then contextualize to our own places and times. Through listening first, we begin to imagine with greater creativity, cleverness, and potential. That imaginary then expands into action.

Over Autumn of 2010, I was handed a great many conceptions of power. Paul Apostilidis has provided an intellectual capstone to this understanding of power. Antonio Gramsci describes hegemony as the mindset imposed—in the form of culture, politics, economy, and so on—onto a society that hinders or prevents thinking beyond that system of power. A quotidian example would be arguing for students trying not to fall asleep in class during a lecture by the professor; these students are not being served by the experience, but the school and the instructor are such that the potential actions for the students are limited (attention, doodling, sending text messages, napping, and so on). Apostilidis, through his examination of immigrant slaughterhouse workers and organizing in Breaks in the Chain, argues that this hegemony is constantly enacted. The students themselves refuse to break out of the dull, aimless, and forgettable classroom.

Apostolidis's next step is incredibly, even radically exciting: If hegemony is enacted by everyone, not just the institutions with/in which we participate, then we are presented again and again with opportunities to contest hegemony, wrest power from it, and even escape it. For Latino/a slaughterhouse workers,1 this latent power is manifested with the slowing of the “disassembly line” to a human scale, such that beef stacks up in heaps all over the factory. When the managers try to regain control by leading some line workers out to be summarily fired, all the workers from that stage walk out together. When the managers try to chain the doors to keep the workers there, they then plainly state that they cannot be kept in, that they will break the windows if the doors are locked. First, the workers—organized and coordinated as the are—contest the power of the managers to set the pace of the line; then, they wrest power to terminate workers arbitrarily; and finally, they proclaim their ability to escape, to leave the factory altogether no matter the chains put into place. These workers have refused to participate in the hegemony of the factory.

I have introduced a concomitant concept to this discussion of sustainability: radical democracy. Apostolidis explores how his subjects—people who are simultaneously immigrants, workers, organizers, family members, Latinos/as, and so on—are reconstituting politics within their work environment. Hegemonic pressure has individualized these identities such that one worker's story is separated from another's, that collectivity is cut off from the workers. Through storytelling and listening, organizing and planning, action and reflection, these individuals begin to see one another as narrative subjects; by sharing narratives, their similar pains, pressures, and traumas become unifying and constitutive of a larger political body.

In a limited sense, sustainability does not require democracy, whether that democracy is radical or not. Sustainability, since first defined in a social-environmental manner in 1987, has predominantly meant using resources and natural cycles in non-depleting ways. As residents of planet Earth, we cannot afford to undermine the mechanisms that make our residency possible. This goal is obviously substantive and challenging. We are, in multifarious ways, farther from it than ever in the history of our species. We may approach such sustainability as technocrats or beneficent tyrants, setting in place strategies to reduce population, pollution, contamination, and habitat destruction from above such that our planet continues to be habitable by human beings.

This echoes sharply of the UN representatives deciding that women need solar ovens. In simple terms, we don't need solar ovens. We need institutions attentive to the needs of people and places. We need to listen to the lessons of place. Stories from other places are useful, but it is our own narrativizing that will produce the culture, institutions, and communities we need for sustainability. This is the artery (and all arteries have accompanying veins) from sustainability to democracy.

I will show how Flagstaff is already a community of alternative, attentive, generative stories. As I have previously said, these are not the current dominant stories of this place. We have stories—stories I hope are gaining traction—concerning food, education, citizenship, employment, and more. My aim is to attend to stories of housing. These stories will be reflective and historical as well as potential and “fictional.”

Let me share a story I have about housing. In February of 2011 I moved to a house in the Southside neighborhood of Flagstaff. This building has a history all its own: a lumbermill workers' union, a wedding chapel, a dance studio, a squat, and now it is a residence thanks to our peculiar landlord. The building has three flours, the basement and third floor act as apartments while the main floor has four individual bedrooms, a small shared kitchen, an uncommon single bathroom, and an expansive common room. My friend and previous roommate Tim Haynes moved in with me, so that we shared the space with two strangers.

Tim and I were immediately warmed by our new residence. It felt accommodating and comfortable after our six month stint in an apartment south of town. Our new roommates were generally easy going, though each with his own habits. Near the end of the summer—following the exchange of one of these roommates for another stranger—Tim and I engaged in some cleaning. We felt ambitious and proud of a reconfigured common space and consolidation of what we felt was cluttered, dusty equipment. Most of this was owned by our then-absent roommate. We saw the clean, expansive wooden floor and the openness of the rearranged furniture and looked forward to hosting friends in this crisp, breathable room.

Our absent roommate returned from a not especially pleasurable trip. He came in perturbed and agitated from his time away and the long sojourn back. He came in with a nearly finished six-pack in hand. He saw the new shape of the common room, his tidied and consolidated equipment; he did not like what he saw. What ensued was an argument for which I had little precedent. He began to argue, then shout, and eventually physically threaten me. Tim attempted to soften the engagement, but he had clearly focused his attention on me. My nervous laughter did nothing to ease his mood.

I do not think of myself as an especially vulnerable person. I am tall, broad, white, male, (generally) viewed as straight and receive various other wards of my person. I often carry a small Opinel knife, a gift from a generous host during a stay in St. Paul, Minnesota in January 2008. I was once temperamental, but have never been one for physical confrontation.

When my roommate threatened to break my jaw, I was so terrified I almost broke into tears.

Days later dust had settled, even if it settled onto eggshells. Many things happened in those interceding days. I continue to hold this episode against my roommate,as I think is wise, I understand a good deal better who he is and why this modest shift (what Tim and I exclusively viewed as an improvement) inspired such a dramatic episode. My roommate's concerns were not given any space (from his vantage) to surface, to enter a shared discursive space. Aggressive language—rarely physical aggression, I am told—is the means by which my roommate was able to bring these issues into a conversation. What we—as a household—needed was a safe space for each of us to share and confront these issues evenly and fairly. I believe we lacked anything like a political space for us to raise conflicts, expectations, and desires for our shared living space. I withhold forgiveness of what I feel was a breach of basic civility, but this episode will continue to inform me in terms of housing and personal safety.

This is a story I carry with me, a story that is part of who I am.

1One aspect of Apostolidis's project is to challenge the limitation of this terminology. He interviews these workers-organizers and listens to their immigration narratives, their histories, and their conditions to deconstruct a simple conception of immigrant labor and reconstruct these people as narrativizing subjects.

Wednesday, November 30, 2011

Where have I been? Where am I going?

Well, thesis work and the trip to New York have taken up a good deal of my time. I have a story to write up about my visit to Zucotti Park/Liberty Plaza, but in the meantime, I am rewriting my thesis proposal. What follows is what I hashed together yesterday. Ideally, this is more organic than what friends and my committee have read and more likely to be researched successfully. This is also iffy depending on how it may or may not fit in with complimentary projects.

Wish me luck as the semester tidies up. I have two events this weekend, two papers due at the end of net weekend, a shindig I'm putting together next Saturday, and a month-long stay in Lincoln when the semester ends. Whew. Good luck to everyone else dealing with end-of-semester madness.

Addition: If you haven't noticed, I guess I am a "twit" or something now that I tweet. You can find me @HaikuBaker, and I have the widget here on the blog.

...

I have an idea. It is a little crazy and somewhat silly, but I have it and I can't get it out of my head. My idea has to do with housing ourselves. In short, I argue that housing cooperatives—also known as cohousing—are a better way to shelter ourselves than our current dominant resources. The reasons are many, more than I will hear touch on, but they are enough to act creatively and a little strangely.

We are not adequately served by our current housing. By “we” I mean we graduate students at Northern Arizona University; abundant overworked people in Flagstaff, Arizona; the clever and resourceful—though increasingly broke—youth across the United States; the people who have been swindled by an unjust banking system; and a nation of people struggling to create the homes they want. This service is not strictly economical. This economic disenfranchisement arose with political marginalization. The two are interlinked: Insecurity of residence prevents a political, environmental, or interpersonal appreciation and understanding of place. Before people can engage with where they are, they require a security and connection to that place.

This is the problem: If our communities are to be sustainable, economically independent, or resilient (all related terms), then the people of that community must be able to stay and invest in those places. This provides us with a definition of community: A group of people set in a particular place over a period of overlapping time in secure ways. People constitute meaning; collaborative work of those people—in active, generally nonconscious ways—builds culture in the form of shared experience. This experience is a function of shared time and shared space; collective experience produces stories that constitute culture. Security in this sense means that community members have legitimate claim to this place and time and will be able to continue participating there.

Housing in Flagstaff—and more generally—is inadequate in various ways relating to this elementary extrapolation of community. First, the people of Flagstaff are prone to transience for three immediate reasons: access to affordable housing, access to gainful employment, and a resulting “culture” of impermanence. Cost is affected by an abundance of second homes that inflate property values which encourages higher than average renting; both of which are non-resident ownership which do not support longevity in staying. Employment and savings are limited by too few jobs, a lower than living wage standard, specialized skills amongst the well-paying businesses available, and little accessible capital to fund novel enterprises. These conditions produce a “culture” in a contradictory way: the exception are those who can stay and the stories that propagate suggest staying is out of reach. These stories are built on the experiences of those who are capable of staying—who act as witnesses to others' departures—and undermine an imaginary that staying is possible or likely. In this way, the “culture” of Flagstaff is based on an absence of culture, it is an unculture where building reflective, generative community is restricted if not denied.

My research is interested in clarifying a vision of housing that allows Flagstaff to develop a more generative culture. Clearly, this enterprise is unwieldy. I bring to this project my own experience (graduate student), my own expectation (staying in Flagstaff), and my own aspirations (cohousing). I recognize that I am party with many other conspirators interested in more responsive housing in Flagstaff. Others have worked at great length on housing. With that in mind, I define my focus: What is the vision for Flagstaff's housing amongst its organizers, planners, and activists specifically engaged with this question?

With this question, I want to learn 1) what has been done and what is underway, 2) what barriers have limited success, 3) what can be done to encourage success, and 4) what is the vision of these individuals. To learn these, I must network with existing movers-and-shakers to learn, and hopefully embed myself within, this network. This is the preliminary work of my research. Then, with these key figures, I am interested in hosting an “envisioning” session modeled on the work of the Transition Movement. This exercise creates an imaginative space for encountering a future Flagstaff in which these projects have come to fruition. Participants create useful fictions around people and places that they believe will benefit the community. For the Transition Movement, this is about building a vision toward resilience, an ecological term relating to an ecosystem's ability to bounce back from trauma. This exercise reveals narratives around a positive future state, an aspiration and potential route to achieving that state.

My own vision is part of this, but it is part of a larger landscape of ideas. Assuming that my own project moves forward, it can be informed by others' experience, deal with similar obstacles, for which I ought to be prepared (even if that means first modifying or playing with the rules, codes, and laws). In addition, this can inform the party of conspirators of one another, of difficulties experienced, and develop strategic responses. This constitutes a second phase of research in which we develop tactics for realizing these fictions.

A final phase is project-based. It is about taking these insights, strategies, connections, and other resources into a generative phase. At present, this is the most vague and speculative. It will be informed by the first two phases. I bring my own conceptualizing of cohousing in the form of Resident-Owned Green Urban Equitable Housing, or ROGUE Housing; but I recognize that if I cling too tightly to such a vision, it will restrict the potential outcomes of the research process. I have considered ROGUE Housing a model for cooperatives, but if it survives in some form, it may be about changing the field and providing resources for others' aspirations. In a deliberate and necessary way, I must leave behind my own expectations to research wisely.

Sunday, November 13, 2011

Votes are not Found on Supermarket Shelves: My Occupy Statement

This is following reading Ethan Miller's "Occupy Connect Create," but also comes from research I did last fall for a paper on planning and community food security.

...

“First and foremost, ['the economy'] is a story. A story designed to stop politics, to shut down ethics, and to stifle our imaginations. 'The economy' is a way of thinking and experiencing the world in which our power and agency is robbed from us. In this story, the economy is portrayed as a massive, unified system, a thing that we’re inside of that is animated by specific 'laws' and 'logics.' It is for others to deal with, manage, or fix, and we are to simply follow their commands. We’ll vote in the next election for someone to tell us, after consulting with the experts, what we must sacrifice, change, or accept in order for the economy to get growing again. 'Democracy' is the name for all the minor tinkering we’re allowed to do inside the space in which this economy has us locked.”

- Ethan Miller, Occupy Connect Create



A few weeks ago, NAU's Philosophy in the Public Interest held a conversation on Occupy Wall Street. A comment was made--one often published in various forms by various people--that whatever occupiers are protesting against, whatever they are occupying for is something that we have all bought into, all participate in. From my socks and underwear, to my hat or school books, to my truck (for those who don't know, I have a truck) and my bicycles, my television and computer and Hulu and furniture andandand are all elements of my own participation in an economic system. This system is often referred to as "the economy" or The Economy. Everything that you put money into is a vote for something. This position is most apparent in the organic/sustainable/local/just/slow food movement, that you "vote three times a day" or "vote with your dollars."

I disagree.

Not only do I disagree, I heartily disagree.

A profound misunderstanding takes place when someone thinks that where their dollars go is the same as expressing support. My roommate is eating a dinner of Ramen noodles. Tim is an intelligent (and pretty healthy) young man. What he worries about is his wallet, his debt, and his upcoming expenses; he is more concerned with money than his health. Of course, he is not alone in this concern. I've met enough young people who would be happy to trade in all future packets of Ramen noodles for adequate whole grains, fresh fruits and veggies, hearty beans and nuts, (for some) rich cheese and yogurt, fresh eggs, and (some others) lean cuts of meat. The problem is not that these are unavailable on supermarket shelves--which is the case for those in "food deserts"--but that they are unaffordable.

Now, many of the recent food documentaries are happy to highlight that on a calorie-per-dollar ratio, Americans get a big bang for our buck. King Corn goes so far to interview the architect of this "abundance," Earl Butz. Unfortunately, these foods are like Ramen noodles in that they are cheap energy packed in with plenty of additives, especially salt and sweeteners, and devoid of nutrients. In short, when we eat this food product (a Michael Pollan term) we aren't getting what we are supposed to from food: vitamins, minerals, and micro-nutrients; community, connection, and gustatory satisfaction generally stay clear as well.

If we want a just and healthy food system, we can't start with a supermarket. Democratic change cannot be bought at Safeway and definitely isn't found on aisle 13 at Super Target. I can find cheaper baking soda at Target, but I won't find a participatory economy or politics in the cereal aisle. And you know what, I still don't care that General Mills has changed the shape of Hamburger Helper noodles and reduced packaging and therefore saved money on shipping to boot. That's greenwashing and worse, I think it is bull shit. These are company and institutions that have no interest in fostering a polis where your vote counts more than their dollars.

And while I'm on a tirade I'm not interested in another "wave of progressive politics." What I want is a serious political discourse that is based on the interests of an informed and invested populace. Yes we disagree and yes there are climate change deniers and yes there are far too many people in this country that think "the end is extremely fucking nigh," or putting a bullet in a doctor is sometimes okay, or think loving someone just might be worth complete and utter condemnation. Yes I am deathly concerned about those people and those positions. I have to hope that those are niches. What I'm really concerned with is that there are people in power who think it is a pretty good idea to drive most of this country head first into an environmental, economic, and political cesspool. I do mean an environmental and an economic and a political cesspool because the degradation of our supporting landscape goes hand in hand with the recreation of the Great Depression as well as the institution of an enriched political elite. And those "elites" aren't teaching in universities, working in publishing, or doing climate and ecological science.

Here's the constructive part: We aren't going to "buy" a new economy just like we aren't going to "buy" a different politics, we're going to dream and build and grow it. We're going to make it up out of the crazy creative power of being miners of the real, at excavating the future in every deliciously hardworking day of our lives. We will uncover more than we thought would ever be possible. We will see people organized in weird new constructive ways, new policies grown from strangely interconnected people that gets things going, we'll identify problems no one now alive has thought about and respond to them en masse. (I say "respond" because solutions and ignorance is for politicians, in the future none of us will be what we mean by politicians and all of us will be what we will mean by politicians).

There's more! We've got new stories to tell but they are all our stories! Our kids will wake up (that is, become enlightened) to this crazy open-ended world, a world where they want to work but no one is telling them "go get a job" because they are going to dream up livelihoods somehow hybridized between their dreams and the stories their elders will tell. Our children and our children's children will do the impossible. Every generation ought to make something made impossible by the previous. They will find rivers in the geologies of the future, burdening their banks with stories and creativity and generosity. And they will bring up earthen cups of it and we will drink and wonder why we stopped digging out the future and left it to our children. We will smile big wide old-people smiles and be glad that our children are beautiful, brilliant, healthy, adventuresome, and healthy people. They will be well and wealthy, wealthy in the world in ways too many have forgotten.

Those who want something new aren't after different politicians or fairer businesses or environmentally sensitive corporations or accurate news media. We don't need and I don't want pleasant versions of the same shit. It'll still be shit. We have been told the politicians and businesses and television personalities make the world. They don't make the world, at least not for much longer. We do. We the People make the World. We. The People. The World. These are capital realities.

The stories the People tell make the world. We are telling new stories and making new worlds out of them. Finally We are making up the worlds we want to live in. It may take some time for the politicians and the merchants and the priests/rabbis/clerics, the teachers, farmers, manufacturers, andandand the rest to catch up, to listen to the World--Our World--and to taste and smell the World, to touch it with our hands and it will touch us on our cheeks, lips, the smalls of our backs, the arches of our feet... We can't invest (either at the market or on Wall Street) in this world, we have to use our generative imaginative human capacities--building, growing, cultivating, fostering, narrating, cooperating, singing, playing, loving...--to make it and, after that, make it happen every day after.

Wednesday, November 2, 2011

Haiku & Time

Time is being especially elusive and peculiar. I am getting a better sense of who and where I was last year. My hard days come up and I wonder how I managed to survive last year. Everyone around me seems to feel safe enough to express how overwhelmed I was then. Strange, no one spoke up then--not loud enough, anyway--when I should have heard it. Every month is a little trying and I'm falling back on my folks more than I'd like. Life is a continuing experiment and I hope to learn a good deal from it.

Here is some data:

[10.16.2011]
The apple softens
& becomes vibrant amidst
its rot & decay.

Petrochemical
ghosts wafts & snag along
material paths.

Water runs like milk,
thick in the town's veins; tins &
bags aimlessly flutter.

[10.17.2011]
Leaves gather in our
pockets, our valleys, blessings
for the next season.

Drops of water play
rhythmically, tonally;
raining down music.

[10.18.2011]
Leaves whisper, sing their
sabbath hymnal, preparing
for Winter's repose.

Walnuts have fallen
secreted in soil & stone;
hungry, but patient.

A blanket of earth
& sawdust to warm & calm
fierce detritivores.

Shadows wake in trees,
descend & swoop, become form
in one seamless breath.

Green irridescent
fly visits, but is mute to
my ignorant ears.

A practice stirs in
autumnal sunshine, once half-
forgot, remembered.

[10.20.2011 (?)]
A soft pressure weighs
on eyelids, bones, fingertips;
forms pressed into sand.

Sunshine play on me,
with an intoxicating
syrupy sweetness.

Leaves crackle under-
foot, each a small spectacle
of fiery grace.

[10.21.2011]
Honey-colored leaves
patter one another, &
play briefly in flight.

The ground rumbles with
the weight of burdened beasts
wheeling on worn tracks.

[10.23.2011]

Iron turned blood-red,
share an odd kinship with these
hands: worn & wounded.

[11.1.2011, on Stuart Kauffman]
Kingdoms of hybrids
intermarriage makes strength from
strange, diverse richness.

A memory of
home echoes in genes; forgot
but now remembered.

Dionysus &
Apollo play discordant
songs in flute & lyre.

Breath traces a wing,
one of innumerable
improbable forms.

A voice in forum:
raised as chitter, growl, twitter,
chirp; a leaf rustles.

Revolution, names
—Kepler, Darwin, Haraway—
unhinge & refocus.

Multitudes abound
(animals, plants, fungi, cells)
from simplicity.

[11.2.2011]
Distant snow falls; I
hear echoes of the silent,
numerous descents.

Monday, October 17, 2011

Reflections on "Implementing Sustainability"

One of my courses has us write regular "participation notes" about our readings. Here's mine for class today. Page citations are for Kevin Wilhelm's Return on Sustainability.

...

Participation Notes - Returns
Caleb A Phillips
Course – Professor

Sunday, October 16, 2011

I'm not going to hand over th assignment you're after. I can write pages on sustainability initiatives, but I'm already doing that with other projects I'm working on. What I'm writing on is a confusion around sustainability that produces a sustainability lite. Businesses around the world can take on sustainability initiatives, they can save money on transportation through video conferencing or reduce packaging while making more of it recycled or biodegradable. These are projects that many businesses can do and learn from. What many can't do is become sustainable in a meaningful way.

The reading refers to Michael Braungart and Bill McDonough. In their remarkable book, Cradle to Cradle, they do say that we must turn industrial production on its head and capture the innumerable technical nutrients that are lost when we through things away. Waste does equal food (36). They also remark that sustainability, that cradle-to-cradle manufacturing can't be done in part, in must be done in its entirety or else we are simply delaying the industrial collapse. Certainly this process can be accomplished in stages, but how can look to Lockheed Martin for sustainability guidance (29)? This is a company that builds jet engines and missiles. Where exactly do tactical missiles fit in with sustainability?

In addition, there seems to be only a very shallow assessment of sustainability in these examples. If a business moves to replaces CRT monitors (conventional, boxy monitors) with sleek new LCD monitors, that makes hundreds if not thousands of pounds of electronic waste out of functional equipment (31). Replacement strategies without employing reuse (fixing and handing off monitors to low-income schools or community centers, for example) strategies or a comprehensive e-waste management scheme is foolhardy. Electronics and especially computers involve heavy metals and toxic chemicals that, without proper disposal, can contaminate ground and surface water supplies. Even existing e-waste programs may mean simply shipping computers off to other countries where they are picked through in unhealthy conditions (even landfills and by children) for the previous metals that are worth relatively more than they do in the United States.

And citing Hamburger Helper's packaging? Hamburger Helper is a nutritionally lacking food, high in sodium, and aimed at complementing cheap meat (33-34). Should we really be complementing a business that puts 30% or more of daily recommended sodium in a single, adult-sized serving (http://www.coheso.com/nutridata/Hamburger_Helper/list_item.html)? What does it say that sustainability for these uncritical assessments ignores a healthy diet of fruits, vegetables, and whole grains for a dish of cheap meat, salt, and simple starches?

What I'm getting at is that sustainability isn't something businesses can tack on or even innovate toward. Sustainability requires a much deeper assessment of sourcing, procedures, and goals in a social and environmental context. What these little blips about various businesses do sound more like greenwashing that real evaluations of what the business does and how it makes its money. If sustainability mean putting Lockheed Martin out of business, I think that is what sustainability—even for businesspeople—ought to mean. If Kevin Wilhelm thinks that sustainability is simply a change in sourcing or an update in electronics, then he is profoundly mistaken.

Saturday, October 15, 2011

A wandering heart

Krysta was teasing me, though not as much as I tease myself, for what I referred to as my wandering heart. I have a tendency to become enamored. I see wit and charm and a clever smile and, well, I see it. Krysta has recently accepted a maxim that "love is pain," an equation that has set her own heart at ease. Love, I suppose, has treated her with no great gentility. She loves no less than I do. She seems to approach the day with love, to send it out in lolling waves. Often it comes back her way, but sometimes with greater turbulence than desired.

I do not think of love as pain, except in the way that love can develop as attachment, and like any "good" Buddhist, I understand that attachment eventually produces suffering. (Though I like to reflect on "attachment to attachment" as just as prone to producing suffering as more obvious forms of attachment.) Krysta's radiating love is reinforced, even encouraged by her new understanding of "love is pain." Earlier tonight she did something between chiding and cautioning me because of my delight in amorous sentiments. To her, "love is pain" and therefore these little affections are just a road to suffering, that even the company of such compatriots will become painful. I don't find this to be true.

A wandering heart, that's what it is. I am happy to love, to receive a sharp-toothed smile and lend out music, literature, film. I let my love follow rivulets--the shores of which are marked with lends and gifts--out into the world and appreciate where they might come back and where they might go on to intersperse with others. I have taken to thinking of myself as a menace of sorts, letting these streams out into the world that might precipitate unpleasant circumstances. These little reflective condescensions, I suppose, are intended to keep me in check but don't really change much of anything. Rather than a maxim, I temper myself. I have lost more than one book and more than one DVD to a romantically inclined favor, and what scars do I have to show for it? My scars are more to do with bike accidents than misguided affection.

In senior year I was told by more than one friend that our place was the most comforting, welcoming place to be. It felt increasingly like a loving place, an open and warm and generous place. Gift-giving--lends and favors I group in with gifts, though they are temporally bound--is about creating a generous environment, a hearth around which wandering hearts might warm themselves, recuperate, reflect. I may be making myself into a menace, an affection fiend, but it is a posture that makes sense to me. Loving is more about giving, about being, about virtue and character to me than it is about physicality and gazing through darkness at one another.

In "Buddhism and Civil Rights," David Chappell (not the other Chappelle) writes, " Compassion is often considered an emotion in the West, but in Buddhist tradition it is presented as an insight: once we have seen that we are related to others, that we are the same kind, we develop a sense of kinship and kindness becomes an expression of this insight in action." I have been talking about love, but this sense of compassion makes a good deal of sense to me with regards to love. Whether that love is romantic, amicable, familial, or more general (Civic or global love? That sounds too vague to my ears.), we end up with a giving out, a mindset or lens out onto the world that ultimately shapes how others perceive the original viewer. I look out with love, looking for love, sending out love; my heart wanders in the world and I am happy enough to learn what comes following it back to me.

Friday, October 14, 2011

Reflections on Conflict

It still seems funny to me. Tim and I moved in and the three (really, the four) of us didn't know each other any better than Tim and I when we moved in to the apartment last summer. I hadn't thought much of it. I was more worried about the unknown roommate. But when you left for a while and we did some cleaning and some rearranging of the furniture, it was not what you expected. You thought it was an indication of our low regard for you, that it was some deep-seated disrespect. I admit that it was disrespectful, but just in the shallow sense, the way someone turns the corner without signaling. But that is a big disrespect and a regular concern for a cyclist riding alongside. I think you felt like a cyclist, the terrain and behavior changing suddenly. It didn't help that you came off of a rough trip.

Afterward you seemed to have cooled and I seemed to understand your vantage better. Unfortunately what you were asking you weren't willing to give. Respect is never a one-way road--not that I know of any one-way roads in terms of people--and you seem to expect to see something you don't practice. I remember wondering how people might jump from sports to parties to the night after to family and still have it all in there, all in their life and in their head. It boggled me. Those were things, practices, behaviors I didn't know. I spoke with Becca on the way back from Sarah and Matt's farm; she said that what they were doing--farming--was so crazy and great and miraculous to her. I agreed. What Becca had trouble seeing was her own delicate magic of pastry making, the pleasant rituals of gelato. Where one saw magic the other saw the quotidian.

That's where we are, I think. What you do in terms of work and management is really something. I can see that and appreciate that. I most certainly respect the challenge you've set for yourself. That said, you drive me up the wall with complaints about money or difficulties because their sources are obvious to me. Flagstaff is not a town for juice and smoothies most of the time; selling such goods--regardless of their quality--is a fool's once the frosts start coming. We might get weird late-fall summertime days, but last week we got snow and next week it might average in the 40s or 50s. This is where you are living and it seems foolhardy to complain about it.

Despite that respect, despite that appreciation, you are obviously not interested in practicing that which you demand. Without practice I don't know if what I do or who I am makes a difference. I could push and I could make space, try to connect through the depression, anxiety, and frustration you experience, but why would I? You have made so little effort to make it feel worthwhile and one bad day seems to undermine any successes made in the meantime. There is a lesson in this, a lesson about how we build bridges and how we tear them down again; about the scorched earth we sometimes leave in our wake. But forest fires and lava flows bring out new growth. One can always find green sprouts the year after such devastation, not to mention the abundant mushrooms feasting on the boon. If I thought you would be in my life in some capacity in the years ahead, I might try. As it is, I see so little topsoil, so little humus worth cultivating that I leave you alone and I make a point that you leave me alone. A chipped bowl, cluttered kitchen, loud chatter into the night, a bike sitting squarely in the middle of the entry, these are sometimes the cost for what I have now and what I feel I must wrest from what you would otherwise take.

And yes, dammit, that is my lamp.

Wednesday, October 12, 2011

Hey! It's a Bread Recipe; also, School

I made my first yeast bread in sometime for class yesterday. Julia asked for the recipe, so I already had it typed up. It was something like:
1 & 1/2 cup wheat flour
3/4 cup white flour (more to balance)
1 Tbsp yeast
1 tsp salt (put salt on opposite side from yeast)
1 & 1/2 Tbsp cinnamon
1 & 1/2 Tbsp brown sugar
3 Tbsp butter
Mix well (I did most the work in my food processor) and add enough water to make a soft dough. Turn out and knead until smooth (didn't take long after the whirring of the processor), shape into a loaf and place in a small pan. Cover and let rise for about 45-60 minutes, start oven preheat to 350 F. Before baking, drizzle with a little bit of honey and sprinkle oats on top. Bake for 18-25 minutes, once firm enough, flip out of pan and bake on the rack for 3 minutes.

The flour may be a little off. I just used what I had of the wheat. My bread pan was also the smallest one I had, so don't expect a big loaf in a large bread pan.

...

I used my food processor (new to me) in memory of making ridiculous quantities of focaccia and breadsticks for the Greens' House/ILS House Progressive Dinner back in junior year. I was on my feet for about eight hours, first baking and then hosting because nearly all of my housemates vanished. It was also one of the few identifiable times when I was really angry at someone, but it seems sort of funny thinking about that whole day coming together the way it did. Oof, I even had to do the dishes afterward. We had rounds of rather airy focaccia in the freezer for sometime. That was a nice outcome. I need to go grocery shopping and afterward, I may just make more bread.

My class with Rom Coles has yielded some really fantastic--if stupidly rushed--reading material. Like Marshall Ganz's "Why David Sometimes Wins" and right now we're reading J.K. Gibson-Graham's A Postcapitalist Politics which is pretty fantastic. I really want to pick up Young's Justice and the Politics of Difference which read in a week last year for David Schlosberg before he hightailed it to Sidney. What a loss for the school. I wrote a pretty solid paper for him and Jim Sell on grassroots food justice activism and urban planning if folks want me to post that. If you can't tell, I rather enjoy having found so many interesting readings available for free; I am growing weary of my computer screen, though. Anyone want to buy me an iPad or Nook? I swear I'll only use it for .pdfs, not real books I would rather show off on my bookshelf.

Friday, September 2, 2011

Haiku - Class (8.31)

Where does one go to
find - learning, dreaming, knowing -
spaces of others?

An effortless dream
arises from the now spoilt
fruit of our labors.

See the stone in hand,
& tell me if it is sword,
wall or hearth you see?

Crow sees the stone wall
but does not see a stone wall.
See what Crow can see.

Strange seeds germinate
into foreign cultivars
enlivening place.

The children tear down
the rusted gate, and thrill at
more fragile fences.

A spark ignites flame
extinguished by a raindrop;
each filled with powers.

...

Returning to class has been strange. Somehow it feels more unusual than coming back to school a year ago. It is not that I am ill-prepared, I feel rather appropriately prepared, nor is it exactly anxiety or foreignness. I can't place it. I want to be working on my thesis and a rigorous schedule of class ought to align my time to actually get to work, so a return to class is good. That said, I am still out of my element in some manner.

I wrote these in Rom Coles's Power and Radical Transformation. With the form, I am still hesitant about past tense and whether that dangling "ed" counts as an additional syllable. More training in poetry might have been helpful, but I am of the opinion that generally it does not. We are expected to respond to the class discussion over a few pages and I think I will begin with these. I especially like "Crow sees..." and think that it reflects well some of the lessons to be learned from the article in a whimsical way. Again and again we revisited how to see transformational, radical work and how do we engage the opportunities of changing the "rules" of the game. Oddly, this is a subject of the Vincenzi story as well, or at least the understanding of the rules and the misunderstanding of such rules.

Anyway, I have to go reinstate my health insurance.

Tuesday, August 23, 2011

Cosmic Brownies


I've been meaning to post this. Krysta and I made Cosmic Brownies (she insisted on the name) which were a delightful scenario and less of a challenge that I might have expected. When I wanted to make brownies for Miss Amanda Iris's return to town, I looked up "damn good brownies" and came up with this. I adapted the recipe, first by mixing in peanut butter blended with cream cheese which I simply threw in, though it may work best to melt and smear on top. The second adaptation was kind of more fun. Here is the recipe:

Cosmic Brownies
Wheat-free, no butter (not vegan, we included eggs)
Makes a lot of brownies and can can be sensibly split in half.

Preheat oven to 325 F

1 c cocoa powder
2 & 1/2 c white rice flour
1 tsp salt
Sift together. Set aside.

4 eggs
3 bananas, brown or frozen for easiest consistency
8 oz peanut butter
8 oz apple sauce
2 tsp vanilla
Blend together until smooth in a mixer, gradually add in dry ingredients. Mix for 3-5 minutes.

2/3 - 1 c dark chocolate chips
Pour into 2 greased 9x13 cake pans. Sprinkle chocolate chips evenly over the batter. Bake for 20-25 minutes. Note: You can make them thicker and cakier, which will definitely take longer time. We were both surprised how quickly these baked.

Monday, August 22, 2011

Writing Circle (18 August)

These transcriptions or somewhat delayed, but here they are. This is from a writing circle on Thursday. If you were unaware, I've been thinking often and writing regularly on the Vincenzi story. If you are just now visiting my blog and are from the writers' circle, welcome and I hope you enjoy yourself.

...

First Prompt: "I've had something to tell for a long time."

Sabeen came into the shop after almost no sleep. Her girlfriend had kept her up in the worst way. The aroma of yesterday's roasting hung in the air effecting her like a tonic. The night had been long but the morning promised to be short, even a blessing if she let it. She had not started but caused a rebirth, an unpleasant renaissance the night before. She had said, "I've had something to tell for a long time," and Sam had quieted down like a mouse caught in the stares of twilight. Her tone - it is always tone - had been painfully uncertain, but definitively unhesitant. Now though, there was only certainty. She knew the moves, the quiet morning dance of checking the drawers, the mugs, the shelf of leftover baked goods all wrapped for day-old discounts. And it all felt just that much sharper, jittery and faintly painful from lack of sleep and unresolved sentiment. She had begun that way and Sam was quiet as a mouse. They both were for longer than they ought to be. Their relationship had never been one of words, always one of actions. A dance interspersed by tones either fiery or warm. Never were they cold, just hot and dangerously hot. Sabeen filled the mill with the beans roasted the night before, the bottom-most still sultry and welcoming. She thought they must slumber there, rest all together in quiet, innocent joy. She wondered what that was like. It had evaded Sam and her, the two taken to more hazardous comforts. Sabeen had, breaking the long, creeping silence spoken first. Sam had been waiting through the painful silence for the words, for the tone, for the shift in their movements. Sabeen had explained as best as words allowed, what she wanted. With the mill running, she slipped her hand into that warm undercurrent of roasted beans and loved it, loved it with an unadulterated certainty. The beans didn't argue - though they might keep her up - and were nearly always patient. She had tried to speak of patience [end]

Second Prompt: Take the last line of the previous write, include three colors observed outside.

Her mother had tried to speak of patience. A woman who had never acted with quiet or reflection or even much experience spoke of patience. Alecia preferred the weird certainty of the dark, of hidden spaces and the secrets that might remain so (I think I intended "might be revealed") or might remain enshrouded despite being inches from them. The black, the shadow, the slip of stealth not of darkness but of others' refusal to see. Her mother had always acted like lightning, like the white hot electric current. She coursed through a room like a wave, causing hair on men's necks to rise, cheeks to flush, and women to whisper. Not of secrets - where Alecia was certain were black - but of lies which were brown. Brown. Brown was both a blessing akin to secrets, akin to the miracles of soil and emergent life, but also of shit or waste. Alecia knew, despite growing up in the city where such things are preferably kept from young girls' eyes, that shit awlays held growth, fertility, life. Lies, she though, must hold that same necessity of emergence, of potential. Lies were carriers of nonsense but also of creativity of something birthed into existence - sometimes quietly and sometimes with dire cacophony that never managed to vanish again. Lies took what wasn't and made them what was. Isn't that the miracle of soil? That in the black patient dark dwelt a nothing, a no-thing that may just - given enough time and enough madness - may shatter the surface into solar brilliance. Her mother - all light and fluidity - had created dark. In that nothing that secret, sat a quiet, certain starlight. [end]

Third Prompt: "No I won't tell your story."

My heart beats crazy
Not any sense or order,
just now now now now.
(Originally written with commas on the last line.)

You have spoken with
the same words, saying nothing
but me & me &

Where am I left now?
With your hate, your anger, that
does not stop with me.

You threw my chair out,
but that was not me or mine;
it was you, I think.

My room, my doorway,
with you & your fist in it;
& thunder ends us
(The semicolon was absent in the first draft. This is also when a catastrophic weather even "happens" during the prompt.)

When the rains came in
& swept away furniture,
what did our words mean?

The door crashed in, the
window shattered, & I
thought it was you.

(Rewritten for appropriate structure:
The door crashed in, the
window shattered, & I thought
you'd come back again.)

Lightning split the roof,
burned the earth, turned air between
us into ozone.

After the water
cleared, our bodies in macabre
embrace, flowers bloomed.

I am left with my heart still beating but feel that healing & calm are beginning in me. What is shit & what is black earth?

Final Prompt: "The feather fell from the sky" (or something like that)

It fell from the sky, whispering in movement, without a bird in the sky. I thought of wise, trickster Rave & of the God-King Horus. The Swan of midnight & of spirit, of royal & unattainable brilliance. Then, there was the eye, the eye of Peacock (originally "the peacock"), innumerable and all-seeing. It was this feather, the father or mother of these feathers, the Platonic ideal of "feather." It was all & it was nothing. Which bird flies with such a feather? Which struts? Which sings?

...

Note: I have been contemplating short story-style character sketches for various characters involved with Vincenzi. These are mostly to allow me a greater understanding of the people I am dealing with. Sabeen and her coffee shop - called Araby - are important in the story and Alecia - who befriends Alecia during her visit - will become integral in future plots concerning these characters. The haiku are about conflicts with one of my roommates, something I had attempted to set aside for the evening but came up immediately with the prompt. In other news, I have been fumbling through a few chapters of Vincenzi and may just yet hit my draft deadline if I keep at it.

...

Edit, Post-Script: I recently had a conversation with - how shall I say... - the inspiration for the haiku. For those in the know, this was a positive conversation that required some waiting out before having. It was a relief, but one that was obviously on its way as of two days ago or so. This is good news and I want to thank those who have been attentive and supportive.

Wednesday, August 17, 2011

Update - Vincenzi

Following a small Google search, I came across this, which suggests that though some novels are as short as 60,000 words and some as long as 520,000 words, most first novels that publishers look at range from 80,000 to 120,000 words. With that in mind, the draft of Vincenzi is hovering just shy of 90,000 words. I still have material to cover - though I am going to be close to the end of the month deadline I set for myself - and a good deal will be cut or integrated elsewhere in the book. (Most obviously, I am going to likely pull apart the introduction and put pieces of it elsewhere, such as allusions in pre-dinner conversation between Vincenzi and his father.) At this point, it will likely end up around or over 100,000 words and smack in the middle of the "average" length.

To do this, I compiled the separate chapters and checked the properties for word count. This is also the first-step for me to request editor and proofreader input. Considering that I started this at the end of March 2010, some serious revision is in store. I am still interested in finding people who would help me slog through the draft - or sections of the draft as I hope Miss Becca continues to do - and make it workable. If the past two months have been any indicator, I could potentially work on a follow up story draft by the end of next summer, something I have began framing last summer.

I am increasingly enamored with these characters and have been looking for and listening to their voices intently for the past several months. I have little interest in leaving them alone after assembling this first draft. Roommate and friend Tim recently received a several chapter chunk to read through at his leisure which I hope proves entertaining. Tim has commented a few times that he thinks this fusion of pulp detective and pulp horror makes me some sort of literary aficionado. I am not in agreement. Mostly I think of this as an exercise in my own geekiness, in linking two genres that have a parallel history of birth, popular success, and quiet integration into other media and genres only to more recently undergo a renaissance. The most obvious example I've come across is Shadows Over Baker Street, a purportedly uneven collection of stories fusing Sherlock Holmes with Eldritch Horrors (a la Lovecraft).

That said, and as I have said before, I don't think of this as a simple story. I have arranged various clues in the text to lead into future stories that develop a world and meta-plot focused on language, power, control, and rebellion. This is in part steeped in my reading into the Occult care of the late Kenneth Grant who has taken the Cthulhu Mythos very seriously in his exploration of extracosmic forces, magic, and global paradigm shifting. Increasingly his arguments are integrated into the characters capable of pulling the strings behind the action. One particular subject of interest is the Aeon of Maat which is also described as the Wordless Aeon in Outside the Circles of Time. Not to mention that starting to write Vincenzi came out of encountering William S Burroughs (incidentally, the name is partially integrated into the character Cranston Murlough) and his notions of nova outlaws and word viruses. These are, to me, the ideal constituents of a (not the) contemporaneous interpretation of Lovecraft and the words of power - especially black speech - that literally and figuratively riddle his work.

Finally, there is the common role of apocalyptic literature, a fascination of mine since I was probably ten or eleven. Apocalyptic literature has been part of the narrative human experience for most of the history of civilization. Note that I definitely doubt apocalyptic genres as being part of Paleolithic and likely Neolithic experience and culture. What I affirm is that human history is replete with attempts to define the end of the world in some form; that is, we are looking around the corner and seeing the dawn of a new age at the expense of the current. We live as much as ever in a revolutionary period and similar to the story "The Year of the Jackpot" and one of the speakers in Waking Life, this may come to some sort of head. Vincenzi is one way or articulating a story about such revolutionary and, yes, apocalyptic change and psychic evolution that is so crucial to Kenneth Grant's writing.

Tuesday, August 16, 2011

Haiku - Hopi Reservation et al.

Rusted stone made sharp
by distance softens to small,
infinite detail.
...
A waterway left
stagnant, remains a blessing
in this bereft place.
...
Time peeled away -
by wind, snow, rain - gathers at
the foot; returning.
...
Patches of green on
the red & yellow fabric
fluttering in place.

These are from last Thursday's trip (11 August) to the Hopi Reservation to visit with Red Feather, an affordable housing organization doing strawbale buildings. It was part of my internship with the Sustainable Building Program and was interesting and exciting, and just somewhat frustrating. These are mostly comments on the landscape which was beautiful and austere.

Also:

[2 August, Rain]
Does a drop make rain,
or the percussive song, or
umbrella-less-ness?
...
[3 August, Heritage Square]
Stone hewn & raw, born
& borne here; what names are known
to the stone alone?
...
[6 August, inspired by an old voicemail from Anna]
Listening to past
voices, loving parallels
& coming future.
...
[7 August, yardwork]
Here I have made a
shelter, just wood & stone &
green, sun-born shadows.
...
Hands that have sculpted
an earthen cradle for our
small, warm reaching flames.
...
[7 August, reflecting on occult research]
A mother spider
looms in occult space, pregnant
with bastard children.
...
Quine jests of chasing
squirrels around trees, but that
tree is not the Tree.
...
One, two, three... numbers,
not time. What then, is time &
what revolves outside?

Waking Early

I got woken up early today, when most consider the day is still night. It wasn't what I had hoped for, but in the end I can't say that I mind. It - as well as another sort of frustrating awakening - has me thinking about using time and making time. I recall my junior year at Gustavus when I made a point to do everything I wanted to through force of making myself do them. I ended up crashing two months into the semester, but it was definitely a lesson. A lesson of what, I'm still trying to figure out.

My bedroom is the best lit in the house and I have that as a semi-excuse for staying in bed to work, despite being reticent to do so. I like my bed and I have amicably shared it more than once over the past week. Strange, I suppose, that it provided me so little repose last night. I have things on my mind and I can't say I know what to do with them. A few days ago I spoke with Miss Krysta about meditation. My friend and professor Dean Curtin would refer to meditation and being something to do with wild monkeys. Your brain is full of wild monkeys bouncing every which way you can imagine. I brought this up to Krysta. Meditation has never been something I thought of as particularly calming during the process. The process itself is pretty stressful. Imagine seeing all the things that have come up in your head - errands, responsibilities, news, politics, friends & family, romance, frustrations, grocery lists, a cluttered table or kitchen or desk - and just watching them whiz by.

Yikes.

But that isn't exactly where you are in meditation. At least, not where I am. Or Krysta for that matter. All that stuff that's in your head, well, it is you but it also not you; you can see it outside of your vantage. Meditation is a steady practice of observing the inside as the outside and, inevitably, the outside as the inside. Of course you're thinking about the cluttered desk, it's where you left the grocery list that you need to fulfill in order to kick dinner for someone who wants to come over and the kitchen is still messy from last night so you'll have to clean it before you can even use it today. Yep, yikes. Meditation and living mindfully - which I think includes cleaning up the kitchen - is about setting the world around you in order or perceiving the order in the chaos so that your internal world is in order or calming. It isn't ever perfect and all, but at least you can see it out there where it can be worked on and it isn't just in your head where it can hide in dusty, dark corners.

I pulled out my bodhi beads the other day and have them slung through my headboard. I showed them to Miss Amanda Iris last night and reminisced about India. Our conversation - the first in person in three months - had me a little nervous, sort of like the nerves of meeting someone new that you want to impress, but not exactly. The beads should have been with me for some time now, but I haven't done that. A mala - just a word for prayer beads - is a center for composing oneself, for breathing mindfully despite the running around of the day. Often, they are looped around the wrist and gradually handled as one breathes "Om Mani Padme Hum" or simply takes the time to inhale and exhale with patience and even kindness.

I fall in and out of practice somewhat too regularly. I never intend to let it slip, but early hours can be difficult and putting off breakfast or dressing for work or going to work can be just a little too much. That said, I can take that patience and kindness I have expressed to my breathing, to myself, to my monkey-like thoughts and pass them on to the people I see, work with, relate to, care for, and come into conflict. If one wants to do something well, do something right, one ought to start with oneself and work outward. If you expect to find guidance or satisfaction in the world outside then it will be more unreliable and likely will come short in relating to your inner realm. Often I have read how the human body - in full, not just tissue, bone, synapses, blood, and so on - is a microcosm of the Universe. I'm not sure if that's true. What I do believe, though, is that our perception of the Universe is ultimately a reflection of our perception of ourselves. It is not that what we are is the same as what is out there, but that we make what we are the same as what is out there. If we see a chaotic and cluttered world, that is because we have also become so; if we see a world of compassion and kindness, of beauty and harmony, then we are seeing that inside of ourselves as much as around us.

Saturday, August 6, 2011

Also, Mix July-August 2011

I've been meaning to post this. Let me know if you want a copy.

Something Like Summertime
1. Pursuit of Happiness by Barbara (Kid Cudi Cover)
2. Know Better Learn Faster by Thao with The Get Down Stay Down
3. Suffragette City by David Bowie
4. Bad Girl by Eli "Paperboy" Reed
5. Feel So Good by Loudon Wainwright III
6. Sugar Baby by Bob Dylan
7. Time by Tom Waits
8. Bad Education by Tilly and The Wall
9. Who by Fire by Leonard Cohen
10. The Painter's Arm by Paper Tiger
11. City With No Children by Arcade Fire
12. Sun Lips by Black Moth Super Rainbow
13. It's Going Down (ft. Lateef the Truth Speaker & Keke Wyatt) by Blackalicious
14. An Eternity Turns by Echo & The Bunnymen
15. Zombie by The Cranberries
16. I Am Leaving by Blue Roses
17. By Boat by Andy McWilliams
18. Go On by Basia Bulat
19. The Wind and the Dove by Bill Callahan
20. The Sun Highlights The Lack in Each by Bonnie Prince Billy

Reflections on Affections

I have been thinking of love of late. For those who have known me a while, this is not news. I become enamored quickly and love to dote on friends and especially sweethearts. I overthink things. After considering various terms of endearment, I decided that "sweethearts" is preferable to just about anything else. Not only is it gender neutral, it is heart-warming and endearingly jaded. Words that have fallen out of use earn my affection.

That isn't the same kind of affection I am thinking of though. After a knockabout month of travels at the beginning of the summer (all I posted in the month of May was a poem by e.e. cummings), I have attempted to abstain from romantic entanglements. There are reasons for this which I will not here go into. What I think has developed over that period is a perception of the affection of others. (I hope you're not getting tired of literary devices, I fear they will be coming around again in this post.) The previous year has set me in a community where I am around friends and colleagues noticeably older, and sometimes younger, than myself. I am happy for that. Just like the year before that I was allowed to appreciate my mother more thoughtfully and more graciously than I ever managed in high school or college, I have been given the gift of expanded perception.

I have been reading Kenneth Grant, an occult historian and magician (or whatever the preferred nom for the magically inclined) who refers heavily to Aleister Crowley. Crowley and Grant both have a great deal to say on how reason, the sentiments, and the self interrelate. Perhaps it is surprising that these considerations are rather challenging to me. Though I have not read Ayn Rand, I think the effect is similar: All of a sudden, one realizes that one doesn't exactly believe the agenda set forth, but it seeps into one's mind all the same. What I mean to say is that my conceptualization of love comes to mind regularly in both reading (whether it is Grant and the Vincenzi story or on cohousing and community building) and day-to-day reflections.

What gets me is that these wonderful pairings of people have a real sense of one another. The women - as is my habit, I am better acquainted with the women of these pairs - have a profound sympathy with their partners. Sympathy meaning "same feeling" (sun/with - pathos/suffering or feeling) and it is clear that that reality of same feeling is lived for these couples. What further excites my attention is that the relative longevity of their relationships doesn't make them any less youthful from time to time.

Let me relate an image. Love is often considered a flame, a fire burning between two people. It can be in the heart, mind, or spirit. Sometimes that flame is out of control, as in Romeo & Juliet (this is one of the reasons I have never taken to the play) or a passed relationship described in What We Talk About When We Talk About Love by Raymond Carver. When one is young or inspired to youthfulness by love, the fire is hot, uncontrolled, and wild. Its tongues whip the air all around it and threaten the stability of nearby trees, passers-by, buildings, and such. Any attempts to control the fire can force it even higher. (This is actually the case when attempting to use water to squelch the most dangerous of forest fires because the water breaks down into hydrogen and oxygen, which only feed the fire.) This can also be the case when one or both of the partners involved is poorly controlled; that is the person at the party who keeps feeding the fire when it is already good and hot, especially when "feeding" involves the more combustible of fluids. Love, in this case, is deliciously chaotic and lively, but potentially terrifying and aggressive.

Though I think of myself as a passionate person, even from time to time as a romantic person - a sense of myself I've never been able to shake - this is not a love that I am especially enamored with, so to speak. Rather than the over-the-top blistering heat of a wildfire, I become more and more invested in the slow, smoldering burning love. I think it is odd that "smolder" is a term that sometimes describes young lovers who "burn" for one another. What I see more and more is smoldering love that has lasted through seasons, has been tended through rains, and has had its heated peaks and its cool offs; what remains are the embers that persevere and reignite the fire after distance and - heaven forbid otherwise - the partners know that the flame is burning bright after a twilight session. (This is more than a little inspired by the fireside soirée a week ago when the embers of the fire remained sheltered under a terra cotta pot and burned slowly for hours.)

Love, the long-lasting smoldering of affection I have been witness to of late, has that power for those around it. Whereas the wildfire affections of the young (of which I am, nor really most anyone is, not exempt from) consume their surroundings and require the addition of greater and greater quantities of fuel, this other affection warms those around it even if they are not party to it. It can be fierce and insistent (I noticed the terra cotta pot was untouchable in no time), it can tug you by the hand and pull you along, but it provides as much if not more than it takes. In a way, this is perhaps an expression of gratitude to those in love around me, those who have allowed me the pleasure of enjoying the warmth that they radiate. Then, there is also the way that seeing it, knowing it even if from the outside is keenly educational. I was told recently of the maturity I have as a young man and the perspicaciousness I have - on occasion, at least - concerning the feelings of those around me. This is an echo of comments I have heard before, but do appreciate it. I think, though, I am being humbled by the behaviors and emotions so pleasantly, wisely, and sincerely manifest around me.

Monday, August 1, 2011

Kiva & Haiku

I just got this email from Kiva. Kiva connects folks with a little bit of money to folks who are asking for a little bit of money in the form of a loan. It seems that Kiva is looking for more lenders (which is awesome) and you can "get" $25 to lend care of, well, Kiva. I've written of Kiva and financial independence, political capabilities, and so on here if you want a little more info. Or, just check out their site. If you want to lend, follow this link for "free" lending money.

Welcome to the month of August! This is the month I am determined to get through a draft of Vincenzi! Give me some encouragement and check in to make sure I'm on top of it! At this rate, I think I need to write a chapter every three days or so, which means about three pages a day. No more late nights unless I get it carried away. Also, I am nearly done with the Business Plan (Appendix I) for my thesis. Though it may sound funny to be writing an appendix now, I want to use it to apply for grants. It also acts as a summary of the paper, or at least what I am building toward with my paper while taking advantage of the research I have done this summer. Unfortunately, I think I am going to have to tediously sort through research notes in order to fill a literature review and bibliography appropriately. If you were unaware, I am somewhat loathesome of literature reviews.

As a close, a few haiku (from 28 July):

[House]
Cut down the timbers,
notch & assemble, but what
is lost & what gained?

...

[Sprouts]
Soak overnight, sit
in puddles of light, observe
the slivers of green.

...

[Yogurt]
Spirits in pure, white
cream perform their alchemy
with flame & my spoon.

Thursday, July 28, 2011

Review of We by Yevgevny Zamyatin

Just wrote up a glowing review of a dystopian classic on GoodReads. Check it out. Also, did one for It's A Bird, a very fine, startling, and beautiful take on Superman. I have a small stack of graphic novels, short stories from Zamyatin, more Kenneth Grant, and (what I'm really excited about) Gun With Occasional Music by Jonathan Lethem to get to. It has been a deliciously gray day out here in Flagstaff with rain and epic arcs of lightning, with peals of lightning in quick pursuit. I have projects ahead of me (bike repair and firepit construction) before a little get-together Saturday night. In other news, I start volunteering at the CSA this weekend, which is rather exciting. Wish me luck as I check in with a few possible employers tomorrow, as well. I am on to chapter 19 of the Vincenzi story - recognize that the first ten chapters require some serious revision since they were written last year - and think I have about eight to go plus a brief conclusion/epilogue. Even in a draft format, I want to compile the chapters and have request editors. I would definitely appreciate it! And tomorrow afternoon I am going to finalize revisions I have been postponing and submit them to The Sun next week. I won't hear back for a few weeks or months, but it will be a nice break from thesis-ing.

Monday, July 25, 2011

"Between the Folds" as well as Unfolding & Remembering

See the preview and more info here.

First of all, a hearty recommendation. It is elegant, smart, and precise without missing the playfulness and humor of its subjects. It has to do with paper-folding, mostly origami but not exclusively so, and the way it has become incorporated into artwork, physics, mathematics, medicine, astronomy, and more.

What strikes me most clearly is that with all the attention to physicists and mathematicians experimenting with origami, they don't touch often on descriptions of the universe that depend on membranes. Theoretical physicists, who sometimes seem to change their theories once a month, have at one time or another described the universe as a series of membranes in contact and concert with one another. Or, if I recall correctly, that the universe is part of a whole symphony of interacting membranes that seem to have manifestations in one another's realities. Why, for example, is gravity such a weak force in our universe? Sure, as a human being, an organism, and coherent matter, I am rather pleased to be constituted of more than just blobs of plasma or disparate clouds of gases. When compared to the intensity of electromagnetic waves that can fry a brain or stop a heart nearly instantaneously, or the way massless photons can give me cancer or power a city, gravity comes up a little short. Sure, it might get me if I'm thirty or more feet up and falling, but even that only happens at a rate of 9.8 m/s/s. (Sounds like gobbledygook, but it is the case. Look it up.)

Anyway, what Between the Folds feels like to me is a rich articulation of how our universe might just function. Without a doubt it does this through ingenious artistic and mathematical examples, the "postmodernist's" simplicity, and "les anarchistes" delight in chaos and degradation, but doesn't that sound, well, perfect? Our universe is so richly composed of strange, serpentine dragons that coil around themselves and form proteins in our cells; the peculiar human molding and folding of minerals for our own devices; the aeon's long uplift of tectonic plates as they pass over, under, and across one another; and the terrors of stellar decay and reconstitutions in living tissue. As is put in the documentary, these are transformative processes; origami is the transformation of a simple plane into something else without losing that initial coherency of the plane itself. Most visual arts are subtractive (sculpting) or additive (pottery, painting), but our world as a whole is neither additive nor subtractive (excuse the black hole for a moment); transformation is what our universe seems to be best at.

In Virtual Light by William Gibson (I try to avoid spoilers here), one of the protagonists - a bicycle messenger named Chevette - saves her income to eventually purchase a Japanese bike made from laminated paper. Simultaneously, the plot arises from an attempt to refashion a post-quake (referred to as the Little Grande) San Francisco with an impressive, privatizing facelift. This is revealed in the artifact from which the title is drawn. For anyone who is familiar with augmented reality (AR) programs, well, it has to do with that. What AR does is it allows someone to place digital objects in the analog/material world. With a program such as Layar, one might peer through one's phone at a restaurant down the street and see a series of reviews from Yelp or Google; toggle the phone a little and you can see the menu, specialties, seat availability, and more. If you turn your camera down the street, someone may have just coded in a Chinese dragon to undulate down the street for Chinese New Year or a digitized clown filling balloons and releasing them into the air for a child's birthday. AR creates a reality or series of realities for us to peek into through a digital mediator.

(Note: I have misgivings about AR, but they are not immense. In addition, I think it functions similarly to magical perception in which one perceives the analog/material world and acknowledges and can eventually become sensitive to the layers unseen. Then again, that sounds an awful lot like how a cellular phone or radio transmission works, or even meteorological and geological processes. Heck, even political boundaries function as unseen layers until one is made aware of them.)

The connection here, and it may be thin, is that we have already blanketed our world in an additional layer of information beyond the traditional realities. We have an informational, a digital layer that surrounds us, saturates us, infiltrates us. And this layer is composed of only 1s, 0s, and spaces! Wait, couldn't that also be interpreted as + marks, - signs, and spaces? That sounds just like a plane that is folding up, folding down, or laying smooth. How strange is that? And then another line from the documentary comes to mind, that a fold in a paper cannot be undone; the paper "remembers" the fold, the fold is teaching the paper to exist in particular way. Now we do see a difference, a sort of inherited richness that evades AR: Paper, and I think substance, does not forget what it has been taught; what one does afterward is dependent and controlled by the past.

Though on a more fundamental level, that may sound strained, even paranormal. What comes to mind first, though, is an ecological example. Aldo Leopold journals the exploits of he and his family to restore a Wisconsin farm to like-wild conditions. They plant trees and clear invasives, they deconstruct old buildings and open up corridors for wildlife, and they make space for more-than-human world to reintegrate itself into the place. The space was taught to be a farm, one that wore down the soil and killed or warned off wildlife. The Leopolds and Aldo's students worked to teach the land to be something else, something it once was; those creases and plains remained, but had been transformed and submerged. The project was to reawaken memory, to recall what had been forgotten.

In Waking Life - recently revisited with Miss Becca Taylor - Timothy "Speed" Levitch declares, "Before you drift off, don’t forget, which is to say remember. Because remembering is so much more a psychotic activity than forgetting." And I include this for two reasons: First, I love this line; and second, if paper remembers, if the membranes of our world remember, then that says something of them. Remembering, as it is usually considered, is a process of an intelligent - not necessarily aware - entity. A child remembers to come home before dark, a dog remembers a hand that feeds and pets it, even some single-celled organisms "prefer" those places where they previously found optimum conditions (food, light, shelter). But a crystal can be "taught" to form in different ways (see super saturation) - which is a plot point in Kurt Vonnegut's Cat's Cradle. What I intend to say is that, if Speed Levitch is right, that remembering is a psychotic activity, and that remembering is also a process of paper or minerals, let alone the stuff the sculpts our world, then these psychic processes are going on all around us all the time.

My friends and I have more than once felt dispirited by the difficulties of getting things "right." As Martin Sheen has said on drilling in ANWR, but descriptive of environmentalists' fight the world over,
To this point we've won every fight. But environmentalists must win every fight, for the opposition only has to win once and we could forever lose this incomparable ecosystem that is home to hundreds of bird species, polar bears, muskoxen, grizzles, wolves, caribou, and more.
I hesitantly, rather than enthusiastically agree with this statement. We are at a point in our planet's history where a loss is a loss forevermore. Except where that's not the case, where the land can still remember what it was and where we human beings can uncover, to remember what has been asphalted over with the land. Leopold demonstrates this, but also learns to identify with the wolves and that without the wolves, the mountains have no one to protect them. The mountains remember the wolves, they require their protectors from the mule-deer who would, unknowingly, strip the mountains bare. He writes, "Only the mountain has lived long enough to listen objectively to the howl of a wolf," and I think where we can, we need to learn to listen for the recollections and wisdom of the great folding immensity of our mountains (and rivers, oceans, plains, winds...).

Sunday, July 24, 2011

Out West: My Mom's Visit and The Peculiarities of Flagstaff

My mom came to visit for a few days. I was happy to run around with her, showing Flagstaff to her, taking a trip to Rabbit Run Farm and Jerome, and eating plenty of fine food. She enjoyed herself and appreciated the effort made on her behalf. Her visit threw me out of a rhythm, but it was well worth it, and now I am trying to get back into a regiment of research, writing, and work (interning and plant-sitting). As one might expect, we conversed on many things and one such subject comes to mind just now.

She was unable to place it, but my mom had a strange feeling here in Flagstaff. Perhaps it was the dry weather or the altitude, or the way housing and renting work out here (something I think outsiders can perceive rather quickly), or the amalgamation of people that Flagstaff attracts. After a fine evening out, she commented on the intelligence and experience that my friends here have. Not only do people here seem to come from all over, they come with histories and stories and knowledge from all over the place. Flagstaff seems to be a locus for synthesis, for splicing together the peculiarities of our experiences into something more coherent. Well, maybe not more coherent, but stitched together.

Three weeks ago, when driving out to Rabbit Run Farm in Skull Valley, Becca asked me what it was like coming out here (Flagstaff? Northern Arizona? Colorado Plateau? The West? Arizona?) from Nebraska. It seemed both astute and odd; ultimately I couldn't say what it felt like, responding sardonically that the answer would have to be extraordinarily metaphorical to get it right. I let Sarah in on Becca's query at the farm, and she more or less agreed. Out here is different, but how it is, all the ways that it is different sort of hide from language. That said, I think my mom was as aware of it as anyone.

Coming from the Midwest, a assume a sort climatological norm. Hot and humid summers, cold and brutally dry winters; cloud bursts after days of overcast skies, sun and wind that seem to be trying to scramble you like an egg on the pan; and the clear but definite transition of seasons from one to the next. Up here, I was shocked by the comfort of pre-monsoon dry heat and cool nights on my first visit. It seemed deliciously comfortable. The sun - over a mile closer here than in Nebraska - has an impressive intensity, usually clear and welcoming except in direct sunlight at midday. I burned the first few days I was here, unaware that my skin could burn so quickly in such an otherwise mild clime. And at this altitude there seems to be an absurdity of seasons: frosts in June, temperate cool days in February and March, an arid and empty yard that explodes into green between May and June, and nights in mid-July that require a sweater or jacket after a mean, sunny afternoon in the 90s.

We seem to be blessed by manic conditions, by a rapid change from one thing to the next. I have always admired - as long as I can recall, at least - the honesty of weather in Lincoln. If it was cold, it was cold; when it was hot, it was hot; and when you needed to be outside, something about the day could call you out into it. (My mom might argue that I had to learn to listen to such a calling after a lethargic childhood and early adolescence inside, to which I cannot seriously argue. Lincoln, to my ears now, has its odd beckoning calls regardless.) Flagstaff has many blessings and beckoning calls, but you would be wise to pack a raincoat if you're going out in the afternoon, a sweater if you'll be out later. Oh, and if you're headed out in the morning, be sure you have somewhere to stow your early morning garb for when that mercury begins to rise.

Honestly, I think that such upsets make and attract the peculiarities of its residents. How can you expect an homogeneous crowd when the season shifts so radically over the course of the day? People reflect their surroundings and this place has plenty of idiosyncrasies to emulate and admire. It is a little funny that I have landed on housing and planning for my thesis, I can quite rapidly consider a dozen other subjects around which I might right a hundred or two hundred pages. That richness and variety reflects the richness and variety of where I find myself, the people and passions all around me, the needs and potentials hidden beneath the thinnest of skins out here.

Not to say thin skins are common here. I am under the impression that one develops a fortitude from this thin air and this sharp sunlight. I have met and worked with those people who seem capable of letting an emotional or conversational sleight bleed for days, weeks, months. That is not the case here. I have an abundance of strong, determined, and wizened (sometimes harshly so) people to inspire me, not to mention a fickle place to repeatedly suggest a change of perspective.